MARK AXELROD
is a Professor of Comparative Literature at Chapman University, Orange, California.
A graduate of both Indiana University (BA, MA) and the University of Minnesota (PhD Comparative Literature), he has been the Director of the John Fowles Center for Creative Writing for 28 years for which he has received four NEA grants and a California Humanities Grant. He is a two-time recipient of a United Kingdom Leverhulme Fellowship for Creative Writing, has received four Fulbright Fellowships, has published numerous novels, the latest being, THE MAD DIARY OF MALCOLM MALARKEY (Dalkey Archive Press 2023) and is finishing the eighth novel in the Malarkey series titled, MALARKEY, LOST AMONG THE ROMANS.
Mark Axelrod portrait by
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2016 University of Copenhagen, Denmark (for Fulbright consideration)
2015 University of Trieste, Italy (for Fulbright consideration)
2015 River Bend Film Festival, Screenplay, Short listed
2015 Firereel Film Festival, Screenplay, Short listed
2014 Fulbright Fellowship, University of Stockholm, Sweden
2014-15 National Endowment for the Arts, Grant for John Fowles Center for Creative Writing
2014 Williamsburg International Film Festival, Screenplay Honorable Mention
2014 Chicago Film Festival, Screenplay Finalist
2014 Oregon International Film Festival, Screenplay, 3rd Place
2014 Illinois International Film Festival, Screenplay, 1st Place
2013 Fulbright Fellowship, University of Stockholm, Sweden
2010-2011 Fulbright Fellowship, University of São Paulo, Brazil
2008 National Endowment for the Arts, Grant for John Fowles Center for Creative Writing
2007 National Endowment for the Arts, Grant for John Fowles Center for Creative Writing
2007 Fulbright Commission, Finalist, Fulbright Fellowship to Berlin.
2006 National Endowment for the Arts, Grant for John Fowles Center for Creative Writing
2005 National Endowment for the Arts, Grant for John Fowles Center for Creative Writing
2004 National Endowment for the Arts, Grant for John Fowles Center for Creative Writing
2003-2004 Chapman University, Creative Writing, Sabbatical Leave
2003 Mary S. Roberts Foundation, Grant for John Fowles Center for Creative Writing
2001 California Council for the Humanities, Grant for John Fowles Center for Creative Writing
2001 Elizabeth George Foundation, Grant for John Fowles Center for Creative Writing
2000 Elizabeth George Foundation, Grant for John Fowles Center for Creative Writing
2000 California Council for the Humanities, Grant for John Fowles Center for Creative Writing
1999 California Council for the Humanities, Grant for John Fowles Center for Creative Writing
1996-97 Leverhulme Fellowship in Creative Writing, University of East Anglia, Norwich, England
1992-94 Chapman University, Hua-Cheng Wang Fellowship for Creative/Scholarly Writing
1993 Scottish Association of Filmmakers, Award in Screenwriting, Edinburgh, Scotland
1992 Writers Guild of America-East, Fellowship in Screenwriting, New York, NY
1991 Steppenwolf Theatre Company, New Plays Fellowship, Finalist, Chicago, IL
1991 London International Film & Video Festival, Silver Seal Award for Screenwriting, London, England
1990 Festival Internacional de Video do Algarve, Nova 90, Bronze Award for Screenwriting, Algarve, Portugal
1990 University of Iowa, Tim McGinnis Award, Best Short Story 1990, Iowa Review, Iowa City, IA
1990 University of Wisconsin Screenwriters Forum, National Teleplay Award, Madison, WI
1989-90 Edinburgh University, Leverhulme Post-Doctoral Fellowship, Edinburgh, Scotland
1989 Academy of Motion Picture Arts & Sciences, Nicholl Fellowship in Screenwriting, Finalist, Los Angeles, CA
1988 Academy of Motion Picture Arts & Sciences, Nicholl Fellowship in Screenwriting, Finalist, Los Angeles, CA
1988 University of Minnesota, Educational Development Grant
1988 University of Minnesota, Comparative Literature Dissertation Fellowship
1987 University of Minnesota, Comparative Literature Research Grant
1987 Writers Guild of America-East, Fellowship in Screenwriting, Finalist, New York, NY
1987 University of Minnesota, Special Doctoral Grant
1986 University of Minnesota, Harold Leonard Film Studies Grant
1986 Camargo Foundation Fellowship in Fiction Writing, Cassis, France
1986 Maxwell Perkins Award for Fiction Writing, Finalist, New York, NY
1986 Sundance Institute Fellowship for Screenwriting, Finalist, Burbank, CA
1985 Bush Foundation Fellowship for Fiction Writing, Finalist, St. Paul, MN
1984 Sundance Institute Fellowship for Screenwriting, Finalist, Burbank, CA
1984 Western Illinois University National Playwriting Award, Normal, IL
1982 Camargo Foundation Fellowship in Fiction Writing, Cassis, France
1981 Minnesota State Arts Board Grant in Fiction, Finalist, St. Paul, MN
1978 Oxford University, International Institute of Education Scholarship
1976 Alliance Française National Literary Essay Award, First Prize, New York, NY
1976 Indiana University Experimental Fiction Writing Award, Bloomington, IN
1975 Alliance Française National Literary Essay Award, Second Prize, New York, NY
1974 Alliance Française National Literary Essay Award, Second Prize, New York, NY
"I will go on". Beckett and Mark Axelrod, painting by argentine painter Carlos Muslera.
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He has taught or conducted screenwriting seminars and workshops throughout Latin America, Europe, the United Kingdom as well as the United States including stints at:
Panteion University (Athens) (as part of a Fulbright Fellowship)
Aarhus University (Denmark) (as part of a Fulbright Fellowship)
Scuola Holden, Turin, Italy
University of Bergen, Norway (as part of a Fulbright Fellowship)
Baltic Film and Media School, Tallinn, Estonia
University of Stockholm, Sweden (as part of a Fulbright Fellowship)
University of São Paulo, Brazil (as part of a Fulbright Fellowship)
United States Embassy Lecture, Buenos Aires, Argentina
ARCOS Film School, Santiago, Chile
UNIACC Film School, Santiago, Chile
Escuela Internacional de Cine y TV in San Antonio de los Baños, Cuba [the school founded by
Gabriel García Márquez]
Goethe Institute, Santiago, Chile (with Antonio Skármeta [author of Il Postino])
SICA, the Cinematographer’s Union of Argentina, Buenos Aires, Argentina
Proyectos Culturales, Buenos Aires, Argentina
National Film School of Denmark, Copenhagen [with Mogens Rukov screenwriter of
Celebration]
University of Art and Design, Helsinki, Finland
Grimme Akademie, Cologne, Germany
Flemish Film Academy, University of Leuven, Belgium
PILOTS, Sitges, Spain
Edinburgh University, Scotland (as part of a Leverhulme Fellowship)
University of Belgrano, Buenos Aires, Argentina
University of East Anglia, Norwich, UK (as part of a Leverhulme Fellowship
Columbia College, Chicago, IL
Independent Features North, Minneapolis, MN
University of Minnesota, Minneapolis
Western Washington University, Bellingham, WA
Elmira College, Elmira, NY
Azusa Pacific University, Azusa, CA
University of Tennessee, Knoxville, TN
Paris Writers Workshop, Paris, France
Hamburg Media School, Hamburg, Germany
United States Embassy, Berlin (multiple German universities)
Munich, Berlin, Cologne, Stuttgart, Leipzig, Frankfort
United States Embassy, Santiago, Chile
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LITERARY CRITICISM REVISED
The Poetics of Scandinavian Literature: Literary Essays from Strindberg to Bergman
(Palgrave Macmillan, publication TBD)
(Un)theories of Fiction: Literary Essays from Diderot to David Markson (Palgrave
Macmillan, Fall, 2021)
Notions of Otherness: Literary Essays from Abraham Cahan to Dacia Maraini
(Anthem Publishing, Fall, 2018)
For Madmen Only: Literary Essays from Poe to Fowles (Palgrave, Macmillan, 2018)
If on a winter’s night a traveler: Literary Essays from Lermontov to Calvino (Palgrave,
Macmillan, 2016)
No Symbols Where None Intended: Literary Essays from Ibsen to Beckett (Palgrave
Macmillan, 2014)
Notions of the Feminine: Literary Essays from D.H. Lawrence to Fuentes (Palgrave
Macmillan, 2014)
The Poetics of Novels (Macmillan Press, UK, 1999)
The Politics of Style in the Fiction of Beckett, Balzac and Cortázar (Macmillan Press,
UK, 1992)
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LITERARY CRITICISM REVISED
The Poetics of Scandinavian Literature: Literary Essays from Strindberg to Bergman
(Palgrave Macmillan, publication TBD)
(Un)theories of Fiction: Literary Essays from Diderot to David Markson (Palgrave
Macmillan, Fall, 2021)
Notions of Otherness: Literary Essays from Abraham Cahan to Dacia Maraini
(Anthem Publishing, Fall, 2018)
For Madmen Only: Literary Essays from Poe to Fowles (Palgrave, Macmillan, 2018)
If on a winter’s night a traveler: Literary Essays from Lermontov to Calvino (Palgrave,
Macmillan, 2016)
No Symbols Where None Intended: Literary Essays from Ibsen to Beckett (Palgrave
Macmillan, 2014)
Notions of the Feminine: Literary Essays from D.H. Lawrence to Fuentes (Palgrave
Macmillan, 2014)
The Poetics of Novels (Macmillan Press, UK, 1999)
The Politics of Style in the Fiction of Beckett, Balzac and Cortázar (Macmillan Press,
UK, 1992)
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Poetry
Cahier de Paris & Prose Poems from Other Places (1977)
Collected Prose Poems 1976-1982
Neville Chamberlain’s Chimera (Membrane Press, 1971)
Non-Fiction
Anathemas & Admirations: Posthumous Papers of a Living Author (Memoir, 2020)
Literary Guide to Trumpian Rhetoric (2017)
Milan Panić: Big Thoughts Are Free (Authorized Biography, Peter Lang, April 2015)
Fiction
KAPTOHHI 3AMKN (CARDBOARD CASTLES) (Novel, translated and published by Old
Lion Publishing, Kiev, Ukraine, October 2023)
THE MALARKEY NOVELS—
MAD DIARY OF MALCOLM MALARKEY
THE FALL & RISE OF MALCOLM MALARKEY
MALARKEY’S WAY; OR, LOVE & DEATH IN THE TIME OF COVID
MALARKEY, LOST AMONG THE PARISIANS
MALARKEY, LOST AMONG THE ARGENTINES
MALARKEY, LOST AMONG THE FLORENTINES
MALARKEY, LOST AMONG THE GREEKS
MALARKEY, LOST AMONG THE ROMANS
MALARKEY IN LOVE (in progress)
LE SCAT NOIR ENCYCLOPEDIA, (Black Scat Press, 2018)
PROOST’S GROCERY & OTHER FICTIONS (2017)
BALZAC’S COFFEE, DAVINCI’S RISTORANTE (Verbivoracious Press, Summer, 2017)
DANTE’S FOIL & OTHER SPORTING TALES, (Black Scat Press, April 2015)
THE CHECKS & BALANCES OF ALFIE SCHILLER (2010)
BARTLEBY’S BOOKS, GATSBY’S CAFÉ (2007)
CAFÉ NIETZSCHE, AXEL’S CHARHOUSE (2005)
VIAJES BORGES, TALLERES HEMINGWAY (short stories), Editorial Thule, Barcelona,
Spain (October 2009)
BORGES’ TRAVEL, HEMINGWAY’S GARAGE (short stories), Fiction Collective 2, Normal,
Illinois (April 2004)
CAPITAL CASTLES (novel). Tustin, CA: Pacific Writers Press (2000)
CLOUD CASTLES (novel). Tustin, CA: Pacific Writers Press, (1999)
CARDBOARD CASTLES (novel). Tustin, CA: Pacific Writers Press, (1996)
BOMBAY CALIFORNIA;OR, HOLLYWOOD SOMEWHERE WEST OF VINE (novel).
Tustin, CA: Pacific Writers Press, 1994
NEVILLE CHAMBERLAIN’S CHIMERA; OR, NINE METAPHORS OF VISION (visual
prose). Milwaukee, WI: Membrane Press, 1978
Screenplays/Tele/Plays/Treatments
“Malarkey, Lost Among the Florentines” (Motion Picture Screenplay, Original, 2023)
“Waiting for Beckett: A brief monologue” (One act, 2022)
“Repetition” (Motion Picture Screenplay, Original, 2022)
“Women Of A Certain Age” (Motion Picture Screenplay, Original, 2022)
“This Is Not A Screenplay” (Motion Picture Screenplay, Original, 2022)
“Sherman Oaks, Argentina” (Motion Picture Screenplay, Original, 2021)
“Superman in America and Other Absurd Plays” (Black Scat Press, 2017)
“Malarkey” (Motion Picture Screenplay, Original, 2016)
“The Great Pegram Mystery,” Adaptation of the short story, “The Great Pegram
Mystery,” by Robert Barr (August 2016).
“Blind Date” (Adaptation of the short story, “Blind Date,” by Pablo Baler, July
2016).
“Fool’s Sanctuary” based on novel of the same name by Jennifer Johnston.
(Motion Picture Treatment) [In collaboration with Kettledrum
Productions, Valley Village, CA and director, Graham Grantwell] 2015
“Stayin’ Alive” (Motion Picture Treatment & Screenplay) [In collaboration
with German film producer, Raoul Reinert and Cuckoo Clock Productions,
Hamburg, Germany] 2013
“Encino Story” (Motion Picture Treatment, adaptation of Ozu’s, “Tokyo Story”)
In collaboration with American director, David Anspaugh]
“Moonlight on the Wabash” (Motion Picture Screenplay, Original) [Two- Time Finalist,
Sundance Institute; Finalist, Academy of Motion Picture Arts & Sciences, Nicholl Fellowship
in Screenwriting, Los Angeles, CA]
"Peru" (Motion Picture Screenplay, Original)
"Napoléon Awakening" (Motion Picture Screenplay, Original)
"The Poet and the Boxer" (Motion Picture Treatment, Original)
“Bitters & the Professor” (Motion Picture Treatment, Original)
“The Retiring James Bond” (Motion Picture Treatment, Original)
“Shakespeare’s Fools” (Motion Picture Screenplay, Original)
"Of Gold and Ashes" (Motion Picture Screenplay, Original) [Finalist, Sundance
Institute; Finalist, Academy of Motion Picture Arts & Sciences, Nicholl Fellowship in Screenwriting,
Los Angeles, CA]
"Paris Match" (Motion Picture Screenplay, Original)
"Operation Alley Ooop" (Motion Picture Screenplay, Original)
"The Fall of Evening Thunder" (Motion Picture Screenplay, Original) [Finalist, Writers Guild of
America-East, Fellowship in Screenwriting, New York, NY]
"Chicago Bares" (Motion Picture Screenplay, Original)
"The Sigma Boys" (Motion Picture Screenplay, Original)
"The Sephiros Project" (Motion Picture Screenplay, Original)
"An Author's Mother" by F. Scott Fitzgerald (Video Adaptation) [1st Prize for
Screenwriting, Scottish Association of Filmmakers, Award in Screenwriting,
Edinburgh, Scotland; Bronze Award for Screenwriting, Internacional de Video
Do Algarve, Algarve, Portugal
"The August Sprinter" (Motion Picture Screenplay, Original)
"The Villiers' Chalice" (Teleplay, Original)
"Doogie Howser, M.D." (Spec Teleplay—“Dr. Howser's Purple Haze”)
"The Days and Nights of Molly Dodd," (Spec Teleplay--"A Picture is Worth a Thousand Yearns")
1st Prize for Teleplay Writing, University of Wisconsin Screenwriters Forum, Madison,
WI]
"Hill Street Blues" (Spec Teleplay--"Basketball Jones")
"Life Goes On" (Spec Teleplay--"Educating Becca") "
L.A. Law" (Spec Teleplay-"Grace Be Nimble")
"Family Ties" (Spec Teleplay--"It's a Dog-Eat-Dog World")
"Ulrich, The Gallant" (Motion Picture Treatment, Original)
"The Terrible Siren: The Life of Victoria Woodhull" (Motion Picture Treatment, Original)
"Bandstand at West Baden" (Motion Picture Treatment, Original)
"Giovanni's Requiem" (Motion Picture Treatment, Original)
"Vukovich: The Mad Russian " (Motion Picture Treatment, Original)
-Stageplays
Lunch with Aphrodite at the Aristide Hotel –One Act (2024)
Waiting For Beckett: A Piece of Monologue—One Act (2023)
The Real Housewives of Scandinavia—One Act (2021)
Musings from Chairman Trump; or, The Monologue of a Madman (2016)
A Colloquy of Birds—One Act (2010)
Taxing Tales: Three One-Acts (2010)
Van Gogh’s Audit
Superman in America
Bruno Arlt at the Grille Café
Chips, Falling Where They May
Voltaire’s Ashes—One Act (1996)
Ti Amo Lucia Olivetti--Two Act [1st Prize Western Illinois University National
Playwriting Award, Normal, IL] (Rvsd. 2010)
Fellowships/Grants/Awards
2024 Geneva International Film Festival (This is not a Screenplay, short-listed
Best Feature Script)
2024 Catharsis International Film Festival (Of Gold and Ashes Short
listed Best Feature Screenplay
2024 Golden Ribbon International Film Festival (Of Gold and Ashes Short
Listed Best Feature Screenplay)
2024 City Of Arts Film Festival (This is not a Screenplay, short-listed Best Feature Script)
Short listed Best Feature Screenplay
2024 Venice Under the Stars – International Film Festival (This is not a
Screenplay, short-listed Best Feature Script)
2024 Vienna Film Stories (This is not a Screenplay, short-listed Best Feature Script)
2024 Berlin Dynamic Film Festival Of Gold and Ashes Short listed Best Feature
Screenplay)
2024 Pinocchio International Film Festival Malarkey, Lost Among the Florentines
Short listed Best Feature Screenplay)
2024 Cinalfama Lisbon International Film Festival, Portugal (This is not a
Screenplay, short-listed Best Feature Script)
2024 3rd FRANCE INTERNATIONAL FILM FESTIVAL, Paris (This is not a Screenplay, shortlisted
Best Feature Script)
2024 Vienna Film Awards, Austria (Of Gold & Ashes, short-listed Best Feature Script)
2024 Costa Brava Film Festival, Spain (Women of a Certain Age, Short List Best Feature
Script)
2023 GIL (SPAIN) INTERNATIONAL SCREENWRITING AWARDS (Short List Best Feature
Screenplay, Sherman Oaks, Argentina)
2023 ITALIAN CULTURAL CAPITAL FESTIVAL (Honorable Mention Best Feature Screenplay,
Malarkey, Lost Among the Florentines)
2023 POLISH INTERNATIONAL FILM FESTIVAL (Short List Best Feature Screenplay, Of Gold
and Ashes)
2024 GENEVA INTERNATIONAL FILM FESTIVAL (Short List Best Feature Screenplay,
Malarkey, Lost Among the Florentines)
2023 BRAZIL INTERNATIONAL FILM FESTIVAL (Short List Best Feature Screenplay,
Women Of A Certain Age)
2023 PARIS INTERNATIONAL FILM FESTIVAL (Winner Best Feature Screenplay, This is Not
a Screenplay)
2023 GERMANY INTERNATIONAL FILM FESTIVAL--BERLIN (Honorable Mention, Best
Screenplay, Of Gold and Ashes)
2023 LONDON INTERNATIONAL FILM FESTIVAL (Honorable Mention, Best Screenplay,
Napoleon Awakening, 2023)
2023 ONYKO FILM AWARDS--ODESSA, UKRAINE (Finalist, Best Screenplay, Of Gold &
Ashes, 2023)
2023 BERLIN INTERNATIONAL SCREENWRITING FESTIVAL (Short List, Best
Screenplay, This is Not a Screenplay)
2023 British Indie Festival Film & Music (Short List, Best Screenplay, This is Not a
Screenplay)
Panteion university, Athens (Fulbright Specialist Grant, Awarded May 2024)
EUROPEAN ACADEMY OF SCIENCES & ARTS (Salzburg, Austria, Member, 2018-present)
2021 California Council for the Humanities, Grant for John Fowles Center for Creative
Writing
· 2015 River Bend Film Festival, Screenplay, short-listed Best Feature Script
· 2015 Firereel Film Festival, Screenplay, short-listed Best Feature Script
· 2014 Fulbright Fellowship, University of Stockholm, Sweden
· 2014-15 National Endowment for the Arts, Grant for John Fowles Center for Creative Writing
· 2014 Williamsburg International Film Festival, Screenplay Honorable Mention
· 2014 Chicago Film Festival, Screenplay Finalist
· 2014 Oregon International Film Festival, Screenplay, 3rd Place
· 2014 Illinois International Film Festival, Screenplay, 1st Place
· 2013 Fulbright Fellowship, University of Stockholm, Sweden
· 2010-2011 Fulbright Fellowship, University of São Paulo, Brazil
· 2008 National Endowment for the Arts, Grant for John Fowles Center for Creative Writing
· 2007 National Endowment for the Arts, Grant for John Fowles Center for Creative Writing
· 2007 Fulbright Commission, Finalist, Fulbright Fellowship to Berlin.
· 2006 National Endowment for the Arts, Grant for John Fowles Center for Creative Writing
· 2005 National Endowment for the Arts, Grant for John Fowles Center for Creative Writing
· 2004 National Endowment for the Arts, Grant for John Fowles Center for Creative Writing
· 2003-2004 Chapman University, Creative Writing, Sabbatical Leave
· 2003 Mary S. Roberts Foundation, Grant for John Fowles Center for Creative Writing
· 2001 California Council for the Humanities, Grant for John Fowles Center for Creative Writing
· 2001 Elizabeth George Foundation, Grant for John Fowles Center for Creative Writing
· 2000 Elizabeth George Foundation, Grant for John Fowles Center for Creative Writing
· 2000 California Council for the Humanities, Grant for John Fowles Center for Creative Writing
· 1999 California Council for the Humanities, Grant for John Fowles Center for Creative Writing
· 1996-97 Leverhulme Fellowship in Creative Writing, University of East Anglia, Norwich, England
· 1992-94 Chapman University, Hua-Cheng Wang Fellowship for Creative/Scholarly Writing
· 1993 Scottish Association of Filmmakers, Award in Screenwriting, Edinburgh, Scotland
· 1992 Writers Guild of America-East, Fellowship in Screenwriting, New York, NY
· 1991 Steppenwolf Theatre Company, New Plays Fellowship, Finalist, Chicago, IL
· 1991 London International Film & Video Festival, Silver Seal Award for Screenwriting, London,
England
· 1990 Festival Internacional de Video do Algarve, Nova 90, Bronze Award for Screenwriting,
Algarve, Portugal
· 1990 University of Iowa, Tim McGinnis Award, Best Short Story 1990, Iowa Review, Iowa City, IA
· 1990 University of Wisconsin Screenwriters Forum, National Teleplay Award, Madison, WI
· 1989-90 Edinburgh University, Leverhulme Post-Doctoral Fellowship, Edinburgh, Scotland
· 1989 Academy of Motion Picture Arts & Sciences, Nicholl Fellowship in Screenwriting, Finalist,
Los Angeles, CA
· 1988 Academy of Motion Picture Arts & Sciences, Nicholl Fellowship in Screenwriting, Finalist,
Los Angeles, CA
· 1988 University of Minnesota, Educational Development Grant
· 1988 University of Minnesota, Comparative Literature Dissertation Fellowship
· 1987 University of Minnesota, Comparative Literature Research Grant
· 1987 Writers Guild of America-East, Fellowship in Screenwriting, Finalist, New York, NY
· 1987 University of Minnesota, Special Doctoral Grant
· 1986 University of Minnesota, Harold Leonard Film Studies Grant
· 1986 Camargo Foundation Fellowship in Fiction Writing, Cassis, France
· 1986 Maxwell Perkins Award for Fiction Writing, Finalist, New York, NY
· 1986 Sundance Institute Fellowship for Screenwriting, Finalist, Burbank, CA
· 1985 Bush Foundation Fellowship for Fiction Writing, Finalist, St. Paul, MN
· 1984 Sundance Institute Fellowship for Screenwriting, Finalist, Burbank, CA
· 1984 Western Illinois University National Playwriting Award, Normal, IL
· 1982 Camargo Foundation Fellowship in Fiction Writing, Cassis, France
· 1981 Minnesota State Arts Board Grant in Fiction, Finalist, St. Paul, MN
· 1978 Oxford University, International Institute of Education Fulbright Scholarship
· 1976 Alliance Française National Literary Essay Award, First Prize, New York, NY
· 1976 Indiana University Experimental Fiction Writing Award, Bloomington, IN
· 1975 Alliance Française National Literary Essay Award, Second Prize, New York, NY
· 1974 Alliance Française National Literary Essay Award, Second Prize, New York, NY
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For almost three decades he has been the Director of the John Fowles Center for Creative Writing for
which he has received 4 National Endowment Arts Grants and a California Humanities Grant. He is a
two-time recipient of a United Kingdom Leverhulme Fellowship for Creative Writing (University of
East Anglia, Edinburgh University), a three-time recipient of the Alliance Française National Writing
Award, has written over 20 works of fiction including the Castles Trilogy Cardboard Castles (Pacific
Writers Press, 1996); Cloud Castles (Pacific Writers Press, 1998); and Capital Castles (Pacific Writers
Press, 2000), and Bombay California; or Hollywood, Somewhere West of Vine (Pacific Writers Press,
1994) and Borges’ Travel, Hemingway’s Garage (fc2, 2005) which was published in fall, ’09 in Spanish
by Thule Ediciones, Barcelona as Viajes Borges, Talleres Hemingway as well as Balzac’s CoDee,
DaVinci’s Ristorante (Verbivoracious Press, 2017). His latest novel, The Mad Diary of Malcolm
Malarkey (Dalkey 2023) is the first in a septology of Malarkey novels including: The Fall and Rise of
Malcolm Malarkey; Malarkey’s Way; Malarkey, Lost Among the Parisians; Malarkey, Lost Among the
Greeks; Malarkey, Lost Among the Argentines; Malarkey, Lost Among the Florentines; Malarkey, Lost
Among the Romans and Malarkey in Love. His latest novels include, Aleatory; or, A Day in the Life of
Jürgen Jürgensen, Imaginary Cartographer A Novel in Four Cities; The Checks and Balances of Alfie
Schiller; Proost’s Grocery: A Novel in 14 Aisles; The Sorrows of Seymour Schreibman and the short
story collection, Kissing Sonia Braga and Other Tales.
A partial listing of his other fiction writing includes: his Pan-Euro-American trilogy titled, The
Posthumous Memoirs of Blase Kubash, based on the character Braz Cubas created by the 19th
century Brazilian novelist, Machado de Assis, has been anthologized in The Reading Room/4
published by Great Marsh Press. In addition to Borges’ Travel, Hemingway’s Garage which received
excellent reviews in the New York Times, the Georgia Review and Publisher’s Weekly, among others,
he has written three other additional Secret Histories including: Nietzsche’s Café, Axel’s Charhouse
and Bartleby’s Books, Gatsby’s Café. He has written other short fiction as well including Dante’s Foil
&Other Sporting Tales and The Apotheosis of Aaron. He has been published in numerous national
and international literary journals including the Iowa Review and the New York Quarterly and was a
contributor to the former New York avant-garde magazine, Splash Magazine. Among the awards he
has won for his fiction include: the Tim McGinnis Award (University of Iowa);Camargo Foundation
Fellowship in Fiction Writing, Cassis, France (2);the Maxwell Perkins Award for Fiction Writing, New
York, NY; a Bush Foundation Fellowship for Fiction Writing, St. Paul, MN; and an Award for
Experimental Writing (Indiana University).
He has also won an award from Western Illinois University for his play, Ti Amo Lucia Olivetti and has
completed a trilogy of new one-act plays titled. Taxing Tales, that includes: Van Gogh’s Audit,
Superman in America and Bruno Arlt at the Grille Café. His latest play is titled, Waiting for Beckett,
based on his meetings and correspondence with Beckett over a number of years. He has translated
three works: Xavier de Maistre’s novella, Un voyage autour de ma chambre, Balzac’s play, Mercadet,
and Baudelaire’s novella, La Fanfarlo. He is currently at work on a book of memoirs titled,
Posthumous Papers of a Living Writer, which includes reminiscences on people from Beckett to
Borges, David Letterman to August Wilson. His critical books include, The Politics of Style in the
Fiction of Balzac, Beckett and Cortázar (Palgrave Macmillan, UK, 1990);and The Poetics of Novels
(Palgrave Macmillan, UK, 1999) and a series of literary essays published by Macmillan.
From 2005-2007 he was a judge on the Fulbright Commissions Panel for Creative Writing from 2005-
2007. In spring, 2002, he was honored as a Visiting Professor of Creative Writing at Pitzer College,
Claremont, CA and was a featured speaker at the Hugh C. Hyde Living Writers Series at San Diego
State University in October 2003. In 2005, he was a guest professor of Creative Writing-Fiction at
Pomona College, Claremont, CA and was invited to return in spring, 2006. In June 2005, he was
invited to teach at the 65th Annual Indiana University Writers Conference in Bloomington. In
November 2008, he was invited by the Museum of Latin American Art, Buenos Aires, to participate in
the 1st Annual FILBA International Literary Festival there where he read from his fiction and sat on a
panel devoted to creative writing. For a decade, he was a regular political blogger for the
HuhingtonPost.com and his non-fiction and reviews have appeared in such periodicals and
magazines as the Times Literary Supplement, the Review of Contemporary Fiction, the American
Book Review, OC Weekly, Irish America, MSP Magazine, Indianapolis Monthly, Playboy and others.
He is a practicing screenwriter and has won awards for his writing from the Academy of Motion
Picture Arts and Sciences; the Writers Guild of America, East; the Screenwriters Forum (University of
Wisconsin);and the Sundance Institute. He has written over twenty screenplays and teleplays and
his adaptation and co-production of F. Scott Fitzgerald’s “An Author’s Mother” won awards from the
Scottish Association of Filmmakers, the London International Film &Video Festival, and the Festival
Internacional de Video do Algarve, Portugal. He has taught or conducted screenwriting seminars and
workshops throughout Latin America, Europe, and the United Kingdom as well as the United States
including stints at: the Escuela Internacional de Cine y TV in San Antonio de los Baños, Cuba [the
school founded by García Márquez];the Goethe Institute, Santiago, Chile (with Antonio Skármeta
[author of Il Postino]);with both SICA, the Cinematographer’s Union of Argentina, and Proyectos
Culturales in Buenos Aires;at the National Film School of Denmark, Copenhagen;the University of
Art and Design, Helsinki, Finland; the Grimme Akadamie, Cologne; the Flemish Film Academy,
University of Leuven, Leuven, Belgium; the Université Libre de Bruxelles, Brussels, Belgium; PILOTS,
Barcelona, Spain; Edinburgh University, Scotland; the University of Belgrano, Buenos Aires; the
University of East Anglia, Norwich, UK; Columbia College, Chicago; Independent Features North,
Minneapolis; Western Washington University, Bellingham; Elmira College, Elmira, NY; Azusa Pacific
University, Azusa, CA; University of Tennessee, Knoxville; and Paris Writers Workshop, Paris. For four
years, he was a regular visiting adjunct professor of screenwriting at the Hamburg Media School,
Hamburg, Germany.
In May 2006, he was invited by the United States Embassy, Berlin to speak on screenwriting and to
conduct screenwriting lectures at a number of German universities in Munich, Berlin, Leipzig and
Cologne among other places. From 2006-2010, he had been invited annually to lecture at UNIACC in
Santiago, Chile and PEN International asked him to be the lead judge for the 2006 Best Original
Screenplay Award in Los Angeles. In August 2008 he was invited to teach at ARCOS Film School in
Santiago, Chile at the invitation of the United States Embassy, Santiago and also gave film lectures
in Buenos Aires at the invitation of the United States Embassy, Buenos Aires. In September 2008 he
was invited by UNIACC Film School, Santiago, to participate in a major Latin American screenwriting
conference sponsored by IBERMEDIA. Most recent, he was invited to be a screenwriting mentor at
Hatchfest 2010 in Bozeman, Montana where he also lectured at Montana State University.
His film books include: Aspects of the Screenplay (Heinemann, 2001); Character &Conflict:
Cornerstones of Screenwriting (Heinemann, 2004); I Read It at the Movies: Screen Adaptation
(Heinemann, 2006) and his fourth book titled, Constructing Dialogue: From Citizen Kane to Midnight
in Paris (Continuum, 2013). In December 2009 he was awarded a 2010 Fulbright Fellowship to teach
screenwriting at the University of São Paulo, Brazil in August 2010 & in August 2011 and he has been
awarded other Fulbrights to teach screenwriting at the University of Stockholm, Aarhus University
(Denmark) and Pantheion University (AthensRead More→
Published Fiction
Soon To Be Published…
Published Literary Critisism
Published Film Studies
Miscellaneous Published Work